Archive | June 2008

The ‘Wilhelm Scream’

Have you ever heard of the Wilhelm Scream? Chances are you haven’t, unless you are a huge film buff. I am certain you have heard the actual scream, though. You just didn’t know it. After you read this, your movie-going experience will never be the same. Ah, the power of enlightenment.

Anyway, I was researching Quentin Tarantino on Wikipedia. This stemmed from an article about Uma Thurman announcing an engagement, or something along those lines. I thought she was married to Ethan Hawke, so I wikiid her and then ended up wikiing Tarantino and somehow ended up at the Wilhelm Scream.

It is a stock sound-effect taken from a film called “Distant Drums,” back in 1951, according to Wiki. Actor/singer Sheb Wooley is given credit for the voice. What is interesting is that it has been used in a massive amount of films. Check Wiki for the list of films.


Upon further investigation, I found a Youtube compilation. I hope it gives you a chuckle or two.

Eastern Walk (John Cage Water Walk 3 of 3)

Eastern Walk by J.C. Combs

Observation three of John Cage’s “Water Walk:”

One day I decided to go for a walk. I was so intent upon this impulse that I almost tripped walking down the stairs and out the door of my house. I made my way to our little town’s main road and for the next two-and-a-half hours I walked east along that road. It was then that I came upon a forest right at the edge of the road. A grey guard rail stood between myself and the forest. I suppose one would argue if it was actually grey.., it really was made up of many colors, as sprayed upon the rail was a graffiti tag which read ‘chance.’ Every letter was a different color, except for the ‘a’ which was simply white, without color at all.

I crossed over the guard rail and marched through the forest, taking care to continue traveling east. After an hour of walking around large trees and stepping on small sticks I was hit by the silence. I stopped in place and stood. I don’t know how long I stood there, but long enough to notice, almost in a startled way, that the combination of forest noises (the wind, birds, and all sorts of strange sounds) seemed to make music. As if nature made its own music! I wanted to write this observation down to make sure I would not forget, but I had not brought paper or a writing utensil.

I carried on and after a half an hour I became extremely hungry. I had thought to bring water and still had half of the canister remaining.  However, I had neglected to pack a meal along for the trek.  I decided I would watch the forest floor for mushrooms and snack on those until I made my way to the next clearing where there ought to be a road leading to a store. Within approximately thirty seconds I found two mushrooms side by side. They were beautiful and white as snow. I wondered why I had not noticed these before? ‘Had I not ever looked down while I walked?’ ‘Was I never watching for obstacles?’ I reached down and plucked them out of the ground. I recalled something about edible mushrooms from a textbook I had read back in school. It described every possible feature of the inedible mushroom, covering all the markings. Colorless mushrooms, hence, were edible.

I ate up the mushrooms, making quick work of them, and walked along watching for more to pick. Within approximately four minutes I had come across ten more! Yet they all had markings of some sort or another. I wondered to myself, ‘what are the chances of that?’ ‘Possible poisonous shrooms all over the forest floor and not one positively edible one!’ I stood still for a second and pondered the thought, ‘had I gotten it backwards… Could the white shrooms I ate in fact have been poisonous?’ I started to become paranoid and increasingly anxious.

I sat down, trying to remember the course on edible mushrooms. I sat there within the concert of the forest musical, remaining unsure.

Title Change: Amaranth Arthouse Music

I’ve been blogging for a mere four months or so now and realized that “through a glass, darkly,” wasn’t the best title as it doesn’t clue anyone in to what my blog is about without visiting, which is classical music.  I define classical music as “amaranth.”  Why?  Because it is a better description (neverending versus old) and doesn’t draw a conclusion from a prospective listener as to what genre the music I compose or the music I draw attention to on this site sounds like.  The music might sound spacey and out there to you.  It might sound like Bach.  In my humble opinion, it will always sound great. 

Ch, Ch, Ch, Ch, Changes

Yesterday, Sunday, found me researching RSS.  I enjoy things being simple.  I dislike carrying a phone and wouldn’t exactly mind going back to a pre-internet lifestyle.  I underwent the brain “remapping” process in order to figure out how RSS works.  I noticed that technical instructions found on the web were considerably subpar.  Nonsensical, backwards, i.e., tech talk.  They always seem to explain why you would want to figure something out rather than explaining how to figure something out.  RSS (simple right).  “RSS is used to make blogging easier, cuts down on searches.”  “RSS is really simple.”  “RSS XML.”  “RSS google, yahoo, MSN, what!!” 

Of course, after searching for blogs to put in the RSS widget, I figured out that a “blog feed” was what I was looking for.  My personal explanation of RSS would be:  “A cool way to make your blog function more as a magazine with one RSS address working as a blog roll link on your side bar (also nice to have podcast feeds).  Copy and paste the feed URL to your widget.”

Exercise: 

  1. Pull up Google and type “reuters RSS.”  The first search result will be ” Reuters RSS | Reuters.com.
  2. Click on the link and you will see all the RSS feed subjects.  Click on the one you want.  For this example click on RSS Top News (the first selection). 
  3. http://feeds.reuters.com/reuters/topNews pops up.  Copy and paste that into your RSS widget. 
  4. If you want the title to remain as the RSS feed owner has it, don’t bother naming the feed at all.  Keep the slot empty and it will automatically name itself once saved. 

I will be experimenting with my feeds.  I think news headlines (in one form or another),  SLOG (The Stranger Magazine), KEXP podcast, and NPR are keepers.  For the record, I’m agnostic, but I wanted to offer some spiritual sites and included a Buddhist and atheist feed.   

Another Marc Chan Notice

Link:  Washington Post

Shout Out:  Marc Chan does it again.  Washington, DC.   From the Washington Post: 

“Wang showed her Asian roots in contemporary compositions. Marc Chan’s “My Wounded Head” went from quietly intoned sound points to grand waves that warbled and thundered. Sung J. Hong’s “Ecstatic Rhapsody” deserves a prize for sheer quantity of notes, if not for expressive depth. Wang made Wanghua Chu’s “Celebration of New Life” and Peixun Chen’s “Autumn Moon Over the Calm Lake” respectively joyous and peacefully evocative.

Showy scores truly put Wang in her element. The five steely movements of Prokofiev‘s “Sarcasms,” Op. 4, were unfailingly incisive and vital. Scriabin’s Fantasie in B Minor, Op. 28, was a luscious wash of color, infused with big swirls of sound. Her soon-to-be-released recording of the composer’s music on the Naxos label should be a dandy.” – Post

Hey Marc, you’re not in bad company.  Xiayin Wang… very nice!  But Prokofiev and Scriabin??  Never heard of em ;)

Fantastic John Cage Work: 1st Observation (1 of 3)

One:  This piece titled ”Water Walk” is clearly understandable as to what it is.  It is music.  The host in the video objects to the word ‘music’ as a description of the work (deducing from his patronising attitude).  “Interesting” is the word he has chosen.   The crowd is given the okay to laugh and laugh they do.  Would a typical audience still laugh today in the same environment?  I believe so.  Google “Classical V Classical:  The Amaranth Solution,” for answers regarding this.  ‘Classical’ music will not grow in the minds of the masses as long as we connect the ‘classical-era’ with the ‘classical-blanket’ definition. 

How open-minded are we today?  A lot of what I read coming from classical bloggers/critics is the belief that to be cutting edge we still have to utilize pure atonal methodology (not sure where they feel minimalism fits in).  And it is not that I personally believe in strictly tonal or atonal.  I believe in free form which I am sure could be considered atonal.  Regarding the strict sense, the tone row, I even have one work on “Charmed Elixirs” made up of a row.  I wonder if anyone will ever catch it. 

Irregardless, one Cage view was to break down the “what is music or what is classical” mindset and I hate to say it, but we have probably stepped back since his time as people now generally believe that composing is a “learned” talent (talent wasted without direction) attained only from a college of the arts rather than what the college of the arts main function really is to a prototypical student of composition (among the other things listed below):  A way for mediocre musicians to learn the art of composition and in turn function in the world of music through direction.  Of course, there are great academic composers (you know who you are).  Take Cage for instance, the subject of this post.  Although, these composers generally, I suspect, give more to academics than academics offer in return. 

The essence of what I am trying to convey is that as much as academics offer, sometimes a precarious, self-studied lifestyle offers untraveled courses and humanity shouldn’t get wrapped up in a sort of academic prejudice, .i.e., “his bio didn’t even mention what college of the arts he attended, I’m not wasting my time.”

I’m rambling a bit.  When you read a novel, do you check for where the author attended college prior to opening the book?  Do we check where a director of a film learned the trade prior to entering the theater?  When we observe a work of art, do we avert our eyes until informed of the painter’s educational background? 

An Unfinished Toy Piano Number 2

Note:   Halfway done (unfinished ;) , approximately 3 minutes 50 seconds.   By halfway done, I mean half is going to be replaced.  You composers know what I’m talking about.  In the meantime, I strongly suggest you check out Caroline M. Breece’s works.  If that isn’t enough (it really is, but I know you google-holics), her husband, Michael G. Breece will take care of the rest. 

Addendum:  There will be exactly four toy piano works.  This is not a sonata, not in sonata-form.  You can Youtube for a full symphony of the toy piano.  Although you might find, as I did, bad luck in hearing the unfortunate toy piano above the symphony.  Impressive work, nonetheless, and a wonder to watch a pianist contort him/herself into a sort of cartoonish pose, which must be extremely uncomfortable.   

Fascinating Sounds: Caroline M. Breece

Link:  Caroline M. Breece

Readers, check out composer Caroline M. Breece whom I myself recently discovered.  If you are ready for a journey into sounds, the music of Caroline M. Breece is right up your alley; and sometimes that alley is dark.  My personal favorite thus far is the “Metachromasia” series.   

From her website bio: 

As regards to my music, I find there is something so fascinating about sound. And thats what I love exploring when I compose. I dont really think in terms of development and form and such within pieces, I think more in terms of pure sonics. And one of the things I find most exciting about living today is that there are so many options for combinations of sounds, acoustic instruments, electronically generated sounds, acoustic sounds treated electronically, field recordings, anything that can be heard can be used and I love that freedom and almost bottomless depths of possible exploration.” -bio excerpt

Seeking Raw, Seeking

Sounds.  I am currently exploring free VSTs littered in the web.  My master plan is to find raw and clean sounds to make yes, yes, MORE WEIRD MUSIC!! 

I was almost there yesterday, but it turned out “Crystal” is just too hard to deal with.  She clips and distorts, way too much maintenance.  I might revisit the work once I get the nasty memory of going through artistic motions and ending up playing “sound engineer” for five hours. 

Back to it.  I tell you, as soon as I find this raw sound, I am ready to put down some music, and FAST!

 

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