Archive | December 2008

Happy New Year: Plus a Little Twitter Prediction

Cross your fingers and hope this tweet today turns into something.  Referring to Harrington/Layton NetNewMusic site.

DaveSeidel @JamesCombs Good idea. How about a NNM netlabel? Could do compilations as well as single-composer releases. about 1 hour ago from digsby in reply to JamesCombs

JamesCombs hmm so strange. wordpress says make jccombs.com your new address by clicking, i clicked and it worked. about 1 hour ago from web

JamesCombs @dbtoub man.. , so hard to get any recognition without being in some kind of movement. We should start some kind of makeshift NNM label. about 2 hours ago from web in reply to dbtoub

Collaborated on a New Piece

My kitten is not only a master of ambushing, but has a knack for the keyboard as well.

lucky-composing

The Soaring Tortoise

Tchaikovsky, Ken Russell Style

“The Music Lovers.” This film in my opinion is the greatest of the composer biopics ever.  Period.  Another composer flick and arguably the most popular of them all, Amadeus,  borrowed a couple things here and there such as the nuthouse ending.

What really makes me sick is when people bitch about whether a biopic is totally factual.  Give me a break.  If you want factual, go to a library and check out a book.

The film was panned by several reviewers, which leads me to my next complaint.  Popular film reviewers should stay the hell out of art house film.  You critics have no clue.  You’ve been going out twice a week handing three stars to any Hollywood film that has a beginning, middle, and ending.  The reviewer statements listed below are remarkably stupid.  One gets the feeling that since  Russell pointed a hypothetical microscope at Tchaikovsky’s sexuality (you know he was gay, right?), that it offended the critics and the poor citizens circa the western world, 1970.

Here are some of the wacky review lines from back in the day:

Vincent Camby of the New York Times -  “Mr. Russell has told us a lot less about Tchaikovsky and his music than he has about himself as a filmmaker . . . [His] speculations are not as offensive as his frontal — and often absurd — attacks on the emotions.”

Roger Ebert Chicago Sun Times- “an involved and garish private fantasy” and “totally irresponsible as a film about, or inspired by, or parallel to, or bearing a vague resemblance to, Tchaikovsky, his life and times.”

Time – “Seventy-seven years have passed since Tchaikovsky’s death. In this epoch of emancipated morality, it would be reasonable to expect that his life would be reviewed with fresh empathy. But no; the same malignant attitudinizing that might have been applied decades ago is still at work .

Give me a break.  My readers probably agree just by watching this couple minute clip that the film is outstanding (note Swan Lake in there)

Another Snowy Day

Seems like every day the forecast predicts melting snow and rainfall, but once again snow falls all day and the city has yet to plow the streets of Seattle. Interesting how all the outlining towns are cleaned up. Anyway, here’s another work for Bats in the Belfry.

Gliese 581 d

Bah, Humbug!

Tired of the Christmas crap?  Want some in your face realism to get you through the day?  David Toub and Marc Chan were kind enough to share their holiday spirit to cheer us up.

Up the Academy

More YouTube Symphonying (a.k.a. It’s Time To Relive The Beijing Olympics!)

Okay, Kyle Gann’s is a couple weeks old, but I’d say it still falls within the holiday festivities!

Idiots Guide to PostClassic

What to call a post like this

I wasn’t really sure what to do today. After I got home from work at my part-time gig, I knew my other part-time gig providing services was off today since their office was no doubt closed due to snow. I killed some time by calling relatives and found out my younger step-sister is leaving soon. She’s been fighting breast cancer for almost two years. She caught it early, but the doctors said it was some kind of renegade type. Anyway, she’s in Los Angeles dying in a hospital and I’m sitting here playing tunes. Just doesn’t seem fair.

So this one’s for you, Dom.

Goodbye

Update on 2009 Project

After making the decision to retitle the 2009 project (Bats in the Belfry), I have decided to keep the title.  For those of you who haven’t followed my blog, “Bats in the Belfry” is a project consisting of miniatures.  Miniatures are basically short preludes ranging anywhere from 5 seconds to 3 minutes.  I think I’m being a bit liberal with 3 minutes; the miniature hardliner might limit the mini to 2 minutes.  I have set almost every work finished thus far to videos which are located at Amaranth Videos. This is what the album looks like thus far.

Bats in the Belfry

Two Dimes and a Penny
An Incidental Lucid Moment
Liars Say You’re Pretty
Four
Plastic Stream
Old Brick Well
Silence Gave Way
Chatoyant

A New Era of Music

The new era of music combines aspects of past vanguards and places them on a tightrope two hundred feet up in the air.  The balancing stick measures what styles are employed by the tightrope walker.  Careful!  One measure more than the other might set the composer off balance, to lose her footing and fall helplessly, arms flailing, to the ground where a thousand curious spectators stand and sketch impressions.

If I made a list of the ten most important things a composer could learn from, watching all Tarkovsky films would be on the list.  Of this particular shot, the 1:58 mark is my favourite.  But really, the whole scene is incredible.

Photo Me That

For some reason, I don’t know why, I was staring at a photo montage of composers and I noticed a commonality in many, which was the head tilt pose. They are telling us with this pose how understanding and sensitive they are “come and listen to my music, baby, I’ll make you feel good.” I’m sure some are composer/performers, used to rolling around with an instrument in mindless orgasmic bliss.

Oh come on, big deal, a head tilt! It could be much worse, like those soloists who only appear in photos with their instruments adorned over their glamour shot getups (did I just say getups?).

Then there is the direct approach. Staring directly into the camera, exuding confidence, “listen, I know and you know that my music is great.” Related would be the sitting down direct approach, resting your head upon your hand. “I know my music is good, but I ponder ways of improving.”

Of course, there is the other direct approach while staring directly into the camera. This is the dead serious pose. “My music is great, are you saying it isn’t? I’ll punch you in the face, but not literally. I’ll compose it out. The slamming, constant percussion, that’s me hitting you.”

My pose of choice lately is the look away pose, “I’m thinking about something serious, join me in deep thoughts. Lets float out to sea together.”

Follow

Get every new post delivered to your Inbox.

Join 264 other followers