The Man Who Lives Inside a Piano Finds a Hornet’s Nest

29 06 2009

Premiering July 3, 2009, at 4 PM PST (an ImprovFriday Event)

The Man Who Lives Inside a Piano Finds a Hornet’s Nest
A Miniature Opera for Text and Audio – Dedicated to David Toub
by Lee Noyes, Dennis Bathory-Kitsz, JC Combs

The Players

Lee Noyes as Bartolomeo Cristofori
Piano -  Improvisation

Dennis Bathory-Kitsz as Franc the Piano Tuner
Extended Voice – Improvisation

JC Combs
Sound Synthesis – Libretto

Libretto – by JC Combs

The Background: It had been no more than two years since Franc took up residence inside a piano.  An unfortunate dwelling, but not by choice.  You see Franc, a piano tuner by trade, was tricked and pushed into a Steinway Grand D by a concert pianist with a surprisingly sinister side. His name was Bartolomeo Cristofori. He had phoned Franc earlier in the day complaining that a penny had somehow dropped into the soundboard, apparently making somewhat of a persistent rattling noise.  ”No, look further in, down there. You must retrieve the penny so I can sufficiently practice for the concert at the estate of Prince Ferdinando de Medici this coming Friday.” Those were the last words Franc remembered hearing before falling headlong into the gigantic grand.  He passed out for some time and woke up only to find the piano nailed shut, with him in it!  Inside, he realized that the piano had been converted into a sort of prison cell.

Franc tried for days on end to kick the lid open but to no avail.  However, a peculiar thing happened one day when his captor first played the piano while he was locked inside.  As Bartolomeo played, Franc lost the ability to speak and all he could do was make vocal gestures, as if he had forgotten the English language altogether.  Another strange thing happened when the pianist struck a note:  Franc became extremely happy, and so it wasn’t long before Franc decided that should one day his captor free him, he would stay in the piano of his own will.  Every day henceforth was wonderful for Franc, as he would wake up early and clean and tune the inside of the piano in preparation to play along with the pianist.  Franc had become quite proud of his ability to pluck the strings and beat strong rhythms on the aged wooden walls which enveloped him.  Together the sinister pianist and Franc the piano tuner created brilliant masterpieces.  That is, until one day while carefully tending to the inner workings of the grand he came upon a hornet’s nest.

Where We Catch Up With the Players:  Play Now (TheManWhoLivesInsidethePianoFindsaHornetsNest.mp3):  As Franc cannot call out for help, he attempts to befriend the hornets by singing softly without words. However, the pianist (not aware that a hornet’s nest is inside the piano) is busy playing and Franc, ever so frightened of the hornets, starts frantically plucking and hammering away at the strings.  The hornets become curious and fly around and about Franc.  Many sit on his shoulder.  Sadly, the plan backfires when a hammer hits the nest. The hornets become angry and swarm and sting and sting and sting!  Alas, the hornets stings are too much for Franc and as he sings one last note, he dies.  His master finally hears the swarm of the hornets and rushes over to pry open the lid in the hope of saving his prisoner, but it is too late and as the lid opens the hornets sting Bartolomeo Cristofori without mercy.

The scene closes tragically with captor and captive together, dead inside the piano.





ImprovFriday Program for June 26, 2009

27 06 2009

ImprovFriday Program  June 26, 2009

Dennis Bathory-Kitsz - InVoiceImprov

Lee Noyes, Greg Hooper, Steve Layton – Argo Navis

Lee Noyes, Greg Hooper, Steve Layton, Dennis Bathory-Kitsz – Argroin-Navoice

Greg Hooper – Looking Down

Paul Bailey – Priniciple of Sufficient Irritation (rehearsal 061909)

James Ross and Joseph Benzola – CoffeeCanZhongruanImprovLO

Lee Noyes – Woodenkind (seed for collaboration)

Lee Noyes, JC Combs – Woodenkind (collaboration)

James Ross and Joseph Benzola – TalkingDrumGuitarImprovLO

JC Combs – Impro6.23

JC Combs, Lee Noyes – Impro6.23





ImprovFriday Program for June 19, 2009

20 06 2009

ImprovFriday June 19, 2009

Alun Vaughan – Rubber Sand

Randy Gibson – (excerpt from a rehearsal) Doleo Æternus

Jeffrey Harrington – Riding the Monophone

JC Combs – Impro6.19.09

James Ross – SawBirdsLO

Paul Hertz – Midnight Meantone Meditation

Jukka-Pekka Kervinen – Impro#14

Final Collaborative Improvisations on the Seed for 6-19-09:  “In the Bucket”

In the Bucket by Greg Hooper, Steve Layton

In the Bucket by Greg Hooper, Steve Moyes, JC Combs





PostClassic – After the Fact…

19 06 2009

No surprise this entry goes under “notices.” Every amaranth blog should take a pit stop at this mention and quite a few do thankfully.  Kyle Gann’s blog PostClassic does wonders for music in a historic sense to be realized in the future as well as recognizing present, living composers.  Gann, arguably one of the most relevant artists of our era; a great composer in his own right.





Steve Moyes Performance: A Ustream Fantasia

17 06 2009

glass casePaul Bailey of PBE once told OC Weekly after being asked if his band was more like an orchestra than anything else:  “Fuck the orchestra.  Let’s burn that puppy down and start over.  The orchestra’s proper place is the museum.”

I”ll go even one step further.  The symphony hall is a museum and the orchestra a glass case, the selected works open to viewing.  One or two exceptions to the rule doesn’t change this fact, which is why I laugh just a little when composers complain about the injustice served to great modern and contemporary (1920 – present) composers who are rarely played at the symphony hall.  Those who buy season tickets aren’t looking for a new experience or enlightenment.  Just the opposite, they are there to observe fossils, composer dinosaurs, who unknowingly claimed their spot in the league of dead composers decades and decades ago.  The symphony does have its place beyond the museum, however; and that’s when its striking up brilliant music for theater and film (not to mention all those horrible scores).

So as you can imagine, nothing thrills me more than new music composers/performers who think outside the box and do something about what’s really happening in the amaranth scene instead of beating against a wall in a futile attempt to bring their genius to the masses, magically converting the graveyard into a live scene once again.  Playing clubs, churches, high school stages, outdoors, and from their domiciles.  Wait, what was that last one?  From their homes you say?  That is correct.  How many performances would Satie have put on with this technology, you ask?  I can’t answer that, but probably quite a few.

There is a wave of improvisers and composers hitting the streaming online video circuit, (your hero included ), live looping, soloing, inventing, and bending/reshaping what an amaranth concert is.  Of course its up to the listener what level of sound quality they wish to attain, the performer is set to give you stereo – CD quality.   In essence, the price of a couple tickets to the symphony hall, parking, and dinner/drinks afterward will probably eclipse the price of a couple quality speakers.  But that’s nonsense anyway considering a nice sound system is fairly commonplace.

This brings me to Steve Moyes, who literally knocked me off my ass the last two times I attended his Ustream performances.  The first via Cello live looping which shook my whole flat to his last performance on the electric guitar which I have nicknamed his Fantasia.  A nice feature for these performances is the chat box function.  You can /clap /hoot and /holler all you want without disturbing the performer.  I shouted out during Steve’s performance “you’re possessed and that last note just elevated my chair off the floor!”  Of course Steve wasn’t interrupted by this and the other listeners had the benefit of my keen observation.  Yes, it was a Fantasia.

At one point between performances, Steve lifted up a cased record.  Those in attendance quickly compared notes on what we thought Steve was going to do with it.  Scratch?  Play along?  But much to our delight, Steve took the album out and proceeded to give a workshop on ingenuity and brilliant craftsmanship and I’ll just say it, GENIUS, by playing the guitar with the record.

Here is this masterful performance (start it at the 14 minute mark due to a glitch in sound).





ImprovFriday Program for June 12, 2009

13 06 2009

ImprovFriday June 12, 2009

Charles TurnerWind and Heat – *Robot Disco

Alun VaughanYadirf

Lloyd Rodgers Group per Paul Bailey - Twelve from the Black Book 3/10/01

JC CombsUstream Performance 5/24/096.12impro

Steve MoyesBeing Undoing

Joseph Benzola - Prayer for Peace

Greg HooperNothing On

James RossIrrational Music No. 1 for Pencil and Chair – *Irrational Music No. 2 for Pencil, Chair , Voice and Cat

Lee NoyesRossettoNoyesSaresanssnarehandsNoyesjune12SnaresanssnareNoyesJune12

Jukka-Pekka KervinenImpro #13

* Creative titles of the week.





ImprovFriday Exposition: June 5, 2009

6 06 2009

viola1ImprovFriday was particularly fun yesterday and very busy. A big welcome to Vanessa Rossetto, who provided a beautifully aching improvasition for viola.  Not in the romantic sense, but as if she were deconstructing the viola and every so often we hear the instrument speak one sentence, perhaps explaining the meaning for its existence.

Special thanks to James Ross who came up with no less than three improvs yesterday. The first two were mellow guitar improvs: Zhongruan improvs#1 and Zhongruan #2, recorded on the balcony of the hotel James was vacationing at while in the Jamaican countryside last week. The third was The Birds of Hell: James described the improv as “some chaotic lunacy,” and he was right on in my opinion. Very cool tune. Alun Vaughan brought us one of the smoothest improvs I have heard in awhile called “The Caves,” bass + eBow + reverb is how Alun described it. Listen to it, amazing improv and technically flawless. Jeff Harrington played a possessed improv that displays his brushing up of late on the keyboard with “Noise Dance Improvisation,” in which he described as “a chaotic, cycling, monophonic machine spinning out of control.” Steve Moyes played a looped electric guitar improv called “ Loop of the Day.” It starts out with blips and bleeps, adds a dash (or strong dose) of electronic buzzing + a cup or two of charismatic guitar solo and licks and skillfully blends it all together. Charles Turner made me laugh with the description of his 2-Minute Improv. “Sometimes these things don’t turn out so well,” Charles explained. Quirky, imaginative and somber is how I would describe it.  Jukka-Pekka Kervinen Improv #12 For Five Instruments is an assortment of improvs all at once!  A real delight.  That closes out all the solo improvisations.  Phew!

Now onto the collaborative improvisations, a new function of ImprovFriday. Lee Noyes mentioned we should give it a go over at the ImprovFriday Group in the style of Cadavre Esquis, a group headed by Phil Hargreaves. The idea is to place a “seed” consisting of a sonic bare idea for anyone to download and add onto. This musical improv game has an interesting history. Translated to English the name means exquisite corpse and dates back to the surrealists (1918) to John Cage and Lou Harrison and so on. I have a little experience myself with Leif Jordansson’s group called “Open Source Composition.”

Lee realized that my improv, The Hypnotic Ice Ant, from last week was minimal enough to work as a seed and added onto it with two versions titled simply, “Ice Ant #1 and Ice Ant #2.” Lee added percussion to #1 and piano to #2. Greg Hooper added guitar to #1. At the same time Steve Layton added to #1 as well. Paul Hertz made a trippy mix of both. I have pretty good taste and don’t casually use the term Amaranth, but I’d say the final versions fit that description and are indeed treasures.

An ordered list of the final versions:

Ice Ant #1 by JC Combs, Lee Noyes, Steve Layton

Ice Ant #1 by JC Combs, Lee Noyes, Steve Layton, Greg Hooper

Ice Ant #1 by JC Combs, Lee Noyes, Greg Hooper

Ice Ant #1 Mix by JC Combs, Lee Noyes, Greg Hooper, Paul Hertz

Ice Ant #2 by JC Combs, Lee Noyes

The Ice Ant #1 Mix Screen Shot taken by Paul Hertz

iceantscreenshot





Steve Layton – Vision

3 06 2009

vision_tunecore2smallA reminder from AAM that Steve Layton’s new album “Vision” is out. I had a listen today and I’m pleased to report that it has all the Steve Layton hallmarks. Grand, playful, dark, surreal and inventive with deep textures and lots of treats in the way of poetry readings and unconventional sampling from small metal balls falling through pachinko machines in a Japanese game parlor to the single recording of a honeybee. Each work is described in detail here.

It just occurred to me that my release of Bats in the Belfry was fairly close to Steve’s and both albums have quite a bit in common (both employing the digital piano roll), although the approaches are substantively different. As Steve notes: “While some may consider all of this to be simply “machine music”, I think of it as nothing of the kind. The score is composed in every way identically to how we composers have done so for centuries with pen and paper; but in addition the score records my own “touch” in every note, something not possible before the coming of digital sequencers. And the synthesizer is no more a “machine” than a violin is. Both are truly instruments, each designed to create and channel vibrations from within their body into the air and ear, all of it the impetus of a human agency.”

While it was my aim to create a mechanism which I imagined succumbed to flesh at moments and at other moments forgoing a human touch altogether, taken over by a rusty, old machine, Steve took care to create beautiful works with an imprint of the human hand.

Steve Layton’s Vision is available through numerous online outlets.  Click the album pic for a direct link to iTunes.

NiWo