ImprovFriday July 24, 2009

25 07 2009

JC Combs – Impro7.24.09 – (samples taken from the Berkeley College of Music Sampling Archive – used with permission CC 3.0 and OLPC used with permission CC 3.0)

Paul Muller – My Day Off

Charles Turner – The Wind is Jealous of the Eye

Benjamin Smith – ben.improv.7.21.09

Paul Hertz – A Well-Weathered Wall

David Toub -Fern Hill

Johnny & Faith – Token Wonder

Bruce Hamilton – Friday3in1 – Credit to Johnny & Faith, Benjamin Smith and Charles Turner





The Sound of Music

19 07 2009

sound_waveIts not often that someone posits the question “is unorganized sound or non-traditional instrumentation “sound art” but not music?” with the idea of validating sound as art. I commend this approach. The issue I have (separating sound from music) with that is it ends up strengthening the musical reactionary’s view that music is sacred and that a line needs to be drawn as to what music is (of course with the reactionist drawing the line right?). They’re not going to take the time to think about sound as art, but will argue that not only is non-organized sound, etc., not music but that it also is not art. So now where are we?

Hence, I prefer to look at sound art as a subcategory of music. Specifically like this:

Art
Music
Sound and all genres of music

My personal view is that since art and its subcategory of music are so subjective, that music is whatever the composer wants it to be. I debated this with my father yesterday and he angrily asked, “so if I take a piss, is that music?” I replied, “sure. Its not up to me to tell the world if that was music or not, but I reserve the right to call that some of the worst music I’ve ever heard.”

We then broke down the argument, where he reserved “talent” as a key ingredient in music. I said, “so if I have no talent but play the theme for Ode to Joy on the kazoo badly (which anyone can do), are you implying that is not music?” He then refined his argument (although he didn’t realize he was being redundant) to state that “a talented performance” was a key factor in defining music. I then asked, “how much talent exactly does it take to play chopsticks?” Well then he tried to trip me up with references to some variations on chopsticks at which point I asked, “so if I play Mary Had a Little Lam with one finger, off time, is that not music?” He wisely gave up and was content to call me a crackpot which I was content with as well.

ADDENDUM:  By the way, someone playing “Mary Had a Little Lam” on one finger off time could end up as a great work.  I don’t know about pissing in a toilet (who knows if miked right), but a running stream in the middle of a forest contains quite an array of music.





ImprovFriday July 17, 2009

18 07 2009

Bruce Hamilton - Clocker Improv

Dave Seidel - Sisters and Brothers Live at the Starving Artist, July 16, 2009

Steve Moyes – Untitled Improvisation

David Toub – For Philip Glass

Alun Vaughan – Untilted Rendered

JC Combs – 4/17/09improv

Paul Muller – Stuck in Four

Benjamin Smith – Vocal Impro7/15/09

Jukka-Pekka Kervinen – Use of Period

Paul Hertz – Polymetric Phrygian Plainchant

Dennis Bathory-Kitsz – Crying Hard





ImprovFriday July 10, 2009

11 07 2009

ImprovFriday July 10, 2009

Benjamin Smith - Improv July 10, 2009

Steve Moyes, Portia Winters – Voice and Cello Improvisation

Paul Muller – Hooked on Tonality

David Toub -  Improvisational Study No. 1

JC Combs – The Comedian

Charles Turner - The Little Black One is Cold

Dennis Bathory-Kitsz – IlianaSoo





Improvfriday Program July 3, 2009

4 07 2009

To say that yesterday’s improvisations and works were outstanding is an understatement.  I was left quite impressed to say the least.

A quick note:   Its perfectly fine to premiere new works and old improvisations to ImprovFriday.  I’m sure improvisational techniques go into your compositions and if its an old improvisation, who cares?   Of course Jeffrey Harrington’s ImprovFriday mp3 radio is for improvisational works made for ImprovFriday. The reason I bring this up is because if you don’t put the ImprovFriday notice up in your post (#improvfriday for Twitter), I’m not sure if you were meaning for the work to be part of the event which is important to know when I get around to blogging.  I don’t want to leave anyone out.

The wonderful list of music from July 3, 2009:

Jukka-Pekka Kervinen – Sequence

David Toub – Two Rhythmic Spaces

Lee Noyes, Dennis Bathory-Kitsz, JC Combs The Man Who Lives Inside the Piano Finds a Hornet’s Nest - Accompanying Libretto

Charles Turner – Siegfried Scales an Alp

JC Combs – Patriotic Dissent (4th of July Medley)

Paul Hertz – The Soul of an Empty Room

Benjamin Smith - Improvisation, July 3, 2009





Stop the Presses!

1 07 2009

You see what happens when you read my blog?  Things happen!  Congratulations Marc Chan. Keep up the great “works.”

From the New York Times, “Of the new interludes the most inviting was Mr. Chan’s Interlude II, a study in repeating, slowly morphing figures built around chimelike tintinnabulations and ending up in a chromatic Minimalist swirl. “