ImprovFriday+1 September 25-26, 2009
Steve Moshier – The Calling – improvfriday (9/25/09)
Steve Moyes – Sycamore
Alun Vaughan – Just a Phase
Jukka-Pekka Kervinen – Impro 09/25/09
Lee Noyes – Clustering
Johnny & Faith – Improv 9/25/09 
Benjamin Smith – Ben.improv.Sep.20.2009
Shane W. Cadman – Piece 092509
Steve Layton – 1. Spaceship (attribution to Benjamin Smith, Lee Noyes, Steve Moshier, Token Wonder). 2. The Library of Babel (attribution to Adam Kondor, Benjamin Smith, Jukka-Pekka Kervinen, Shane W. Cadman). 3. All Through the Night (attribution to Jeff Harrington, Steve Moshier, Token Wonder, Build, Roman Opalka).
Adam Kondor – SuperBrand
Jeffrey Harrington – Thunder – Sanibel Island – 7-25-09
Paul Muller – 9/26/09
JC Combs – September 25, 2009 with War of the Worlds Fake News Cast (Attribution to Lee Noyes, Jeffrey Harrington)
Greg Hooper – Limit (video impro)
Bruce Hamilton - Fole-felu improv part 1 – Fole-felu improv part 2 (Attribution to Jeff Harrington, Steve Moyes)
The Seattle Phonographers Union
One question, why not “pornographer’s union?” Too risqué I suppose.
It was probably the most beautiful day of the year, July 23, 2009. I believe it was a Thursday. I arrived a little early and although I don’t smoke, decided to have a few cancer sticks to kill the time. I wanted to stick in my newly acquired audio book, “Neuromancer,” until I remembered I didn’t have a CD player (that was the work vehicle). I flipped on the radio, listening to an interview regarding the opening of a new Adam Sandler film. I think it was the director and, yeah, he had it all wrong. At least most of it.
Anyway, it was the most beautiful day of the year. I can say this rest assuredly now that the fairest weather days are over for 2009. 80 degrees, clear sky and a breeze.
It was time for the concert to begin and so I strode into the church and surveyed the venue. Apparently I was still a few minutes early. I took a seat on the outer aisle near the back, so as not to be intruding. It struck me that my fellow attendees were dressed casual and this was a very pleasant surprise. In fact, so casual that there were people sitting in the window sill, shooting the breeze. I followed suit and being that the venue was on the fourth floor, there was quite a view! Really, just for this peaceful experience alone I would have paid the modest 5-15 sliding scale admission fee.
About the concert and my expectations. I wasn’t sure what to expect in the way of a performance. The word “phonographer” in the title had me thinking the whole concert was made up of spinning records. The presence of several laptops clued me in to what was going to be played.
The group eventually came out. After a brief introduction the performance began. Each performer played a part in the building and decreasing soundscape through samples ranging from everyday noises to political speeches. The genius in this form of concert is the ability to shuttle the listener to wherever their imagination, following the lead of the music, takes them. A real expedition of the auditory senses. I noticed midway through the gig that the outer seating wasn’t the best spot, since a speaker sitting directly behind you takes away from the stereo experience. Therefore, I took the opportunity of changing to a middle aisle seat from a couple who had left the show. It made quite a bit of difference. I checked my watch after what seemed like 20 minutes and almost 90 minutes had elapsed. The show soon came to a close. Its hard to explain the show in detail, four months later, but the collaboration and improvisation of the group really worked. I highly recommend checking these folks out.
The members of the group are Steve Barsotti, Pete Comley, Christopher DeLaurenti, Doug Haire, Susie Kozawa, Dale Lloyd, Perri Lynch, Robert Millis, Toby Paddock, Steve Peters, and Jonathan Way.
ImprovFriday+1 September 18-19, 2009
Dennis Bathory-Kitsz – Outside the Ruined Piano
Aditi Tahiti – 9.18.09 (coming soon)
Ted Serios (band: Aditi Tahiti on microkorg, Nasrudra on tenor sax,
Matt Armistead on drums and Vanessa Rossetto at the cello) Fugitives
Ken Palmer – 1. A Little Base 2. Kicking Ass
Johnny & Faith - Offering for 9/18/09 
James Ross – 1. Mystery Tuning/Tibet 4th Section 2. The Memory of Nature
Benjamin Smith – Ben.improv.August.20.2009
Adam Kondor – 1. 9.18.09KondorViolins.mp3 2. Rhythmic Third Etude
Shane Cadman – Piece 091809
Paul Muller – A Short ImprovFriday+1
Steve Layton – 1. Come Together (Attribution to Paul Muller, Benjamin Smith, Ken Palmer, Shane W. Cadman, Adam Kondor) 2. Tampered Evidence (Attribution to Rossetto/Tahiti/Nasrudra/Armistead/Chagas/lif/Noyes/Bathory-Kitsz)
Bruce Hamilton – 1. Steve and Friends – Remix Edition (Attribution to Steve Layton, Paul Muller, Benjamin Smith, Ken Palmer, Shane W. Cadman, Adam Kondor) 2. Evidently (remix) (Attribution to Rossetto/Tahiti/Nasrudra/Armistead/Chagas/lif/Noyes/Bathory-Kitsz/Layton)
Lee Noyes and Paulo Chagos – Esnaphagus
ImprovFriday+1 September 11-12, 2009
Steve Layton – Fear (W.S. Merwin) (2006) — Voice: W.S. Merwin reading his poem “Fear”
Shane W. Cadman – Piece 091109 -In Memoriam 
Bruce Hamilton - 9/12/09 improvisation w/tweaks
Benjamin Smith – Ben.improv.Sep.9.2009
Paul Muller – Improv.9/12/09
Ken Palmer - In a Quiet Place
Adam Kondor - #1 I am ****ing in a Room, #2 I Must Go
James Ross (Tuning by David Beardsley) – Mystery Tuning/Tibet4th
Johnny and Faith – Improv 9/11 nyc
Jukka-Pekka Kervinen – 9/11/09
JC Combs – #1 Impro.9.11.09 #2 Test Sessions
Thomas Bjørnseth – Episode 12
Only this, and nothing more
Someone tipped me on to P22 text-based composition. I found it pretty fun to experiment with. I noticed the more I typed in gibberish like “adslfks” the better chance the music would sound pleasing to my ears. This is probably because the generator is designed to sound “chancy” and by typing random letters I’m performing a function of chance.
After numerous experiments I decided to punch some classic literature into the generator. I download the MIDI file and touched it up on my end. Here is the end result.
The Raven (audio link)- By Edgar Allan Poe as Realized by JC Combs and P22 TBS
ImprovFriday September 4, 2009
James Ross – MysteryTuning/Tibet
Johnny & Faith – Oh My God, Ma! I’ve Got to Get a Job!
Adam Kondor – Il Dolce Tormento
Benjamin Smith – Ben.improv.Sep.3.2009.leer
J.C. Combs – The Giant Eye from the 5th Dimension has more Followers
Thomas Bjørnseth – Episode 11
Shane Cadman – Piece090409
Bruce Hamilton – Improvisation 9/4/09
Paul Muller - Five Days Off
Jukka-Pekka Kervinen – Impro 04/09/09
Ken Palmer with St. Louis Symphony Orchestra – Maybe September
This is what’s going on
It came in through the bathroom window or backdoor, unlike the infamous Beatles tune (another Scanner Darkly reference).
By the way, I’ve been noticing I spend too much time on social networking sites and not enough time blogging. I think I need to budget my blogging time more efficiently. Since I haven’t been blogging as much, you probably don’t know what I’ve been up to besides “ImprovFriday.” This is how the mashup works out thus far:
I’ve been looking toward the electroaccoustic, accousmatic, soundscape direction and fellow Seattle composer/improviser/field technician and Stranger classical/jazz columnist, Christopher Delaurenti, has been kind enough to answer quite a few questions. He also steered me in the direction of composer/pianist/improviser/instructor, Gust Burns, whom I ended up studying piano with for a month. The main thing I learned from the lessons was that I was on the right track. That’s not exactly the correct wording; maybe not alone is better. Doing your own thing outside the big scene can sometimes make you wonder if you are off in outer space or here on Earth. Perhaps both Gust and I are off in outer space.
After this period of research, I decided to move forward focusing on traditional instrument and non-traditional instrument, the two working in tandem. I’ve purchased a little Baldwin Acrosonic (another thanks to Christopher Delaurenti for the suggestion) and a used matched pair of Oktavas MK-012 from the highly esteemed composer Dennis Bathory-Kitsz .
The non-traditional instrument works will consist of sample-based music. Although this area has been explored in the past, there is still much to be discovered. This “field” of music is what I consider the future of amaranth music.


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